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"It won't be her fault; but of course her people will object, which amounts to the same thing. She can't go against her people, you know.",

At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,

Soon the magpie flew away, and as he passed near the herd of buffalo he saw the young woman there, and alighting on the ground near her, he began to pick at things, turning his head this way and that, and seeming to look for food. When he was close to the girl he said to her, "Your father is waiting by the wallow.",

Mona watches him from her window, as far as the curve in the avenue will permit, and, having received and returned his farewell wave of the hand, sits down, and taking out her handkerchief, indulges in a good cry.

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"Jack Foster and Terry O'Brien write to me very often," goes on Mona, unconsciously. "And indeed they all do occasionally, at Christmas, you know, and Easter and Midsummer, just to ask me how I am, and to tell me how they have got through their exams. But it is Jack and Terry, for the most part, who send me the music.",

And by degrees, beneath her influence, Mona grows pale and distrait and in many respects unlike her old joyous self. Each cold, reproving glance and sneering word,—however carefully concealed—falls like a touch of ice upon her heart, chilling and withering her glad youth. Up to this she has led a bird's life, gay, insouciant, free and careless. Now her song seems checked, her sweetest notes are dying fast away through lack of sympathy. She is "cribbed, cabined, and confined," through no fault of her own, and grows listless and dispirited in her captivity.,

At this the laughter grows universal, Geoffrey and Nicholas positively distinguishing themselves in this line, when just at the very height of their mirth the door opens, and Violet enters, followed by Captain Rodney.,

Then some one puts on her again the coat she had taken off such a short time since, and some one else puts on her sealskin cap and twists her black lace round her white throat, and then she turns to go on her sad mission. All their joy is turned to mourning, their laughter to tears.